“The three actors bounced off one another with superb chemistry and pace moving the story along slickly and built the comedy tenfold. A fantastic production, Cuttings is a modern comedy for a modern audience and it is a revelation”

“Rob Ellis’s direction is defined, pacey, and superbly well-observed…Cuttings is a complete five-star must-see triumph”

“Every inch of the small space of The Hope is used well, with attention to detail and the intimacy really does make the audience feel part of the story”

“Rob Ellis directs the play and gives it a snappy and fresh pace that keeps in line with the millennial feel of the text.”

“Under Rob Ellis’s direction, the play moves in real time, leading up to the point of Arthur’s arrival. This constant looming visit and the perpetual ringing and buzzing of phones lend the play a sense of urgency, with the three actresses each moving franticly around the stage, their seriousness clashing beautifully with the pink, sparkly and neon-covered PR office created by Caitlin Abbott”

“Relish Theatre have been producing work in London for a while now having formerly been a Norfolk-based company. Cuttings is a sign of more good things to come if they can maintain this standard”

“Rob Ellis’ energetic direction makes good use of the Hope Theatre’s small performance space, the trio’s stalking of the space mimics the frenetic pace of their thought processes”

“Rob Ellis’ production starts at a run and rarely pauses for breath during the 75 minutes that follow. The same goes for the actors, and Joan Potter, Natasha Patel and Maisie Preston never miss a beat as the three women hilariously brainstorm and bicker their way in real time through a hectic Monday morning”